"But I don’t like twists for the sake of twists either. I like twists because I want to hear something that might be fresh. But when someone does something just to be hip, it’s annoying to me. I think you can hear the difference. It’s like when people, they write in odd time signatures or they write all these riffs just because they can, just because they have the chops to do it or they know how to play in 11/16 and whatever. But if it’s not actually creating a piece of music that’s going to move somebody, then why are you doing it? And so I think a lot of the questions I’m asking myself when I’m approaching a song or mainly philosophical and aesthetic."

"I think the why is really important because it’s a jagged lifestyle and there’s a lot in it. And so if you don’t have your purpose, if you’re not centered in your purpose, then all that jagged lifestyle is probably going to get to you."

"Yeah, I wasn’t nervous. I think that you can get an adrenaline rush before a stage, which is natural, but I think as soon as you bring fear to a bandstand, you’re limiting yourself. You’re walling yourself off from everyone else. If you’re afraid, what is there to be afraid of? You must be afraid of making a mistake, and therefore you’re coming at it as a perfectionist and you can’t come at music that way, or it’s not going to be as expansive and vulnerable and true."