Oliver Anthony

Oliver Anthony · 25,232 词 · 查看原文 ↗
音乐与艺术生物与进化心理与人性历史与文明哲学与宗教
📋 章节目录
0:00 Introduction · 介绍
1:14 Open mics · 打开麦克风
5:17 Mainstream country music · 主流乡村音乐
14:24 Fame · 名气
20:20 Music vs politics · 音乐与政治
29:10 Rich Men North of Richmond · 里士满北部的富人
39:20 Popularity, money, and integrity · 人气、金钱和诚信
54:08 Blue-collar people · 蓝领阶层
1:06:11 Depression · 沮丧
1:31:04 Nature · 自然
1:53:40 Three-legged cat · 三足猫
2:02:11 I Want to Go Home (live performance) · 我要回家(现场表演)
2:05:50 Guitar backstory · 吉他背景故事
2:10:12 Playing live this year · 今年现场演奏
🔑 关键词
anthonyoliverdongotgoingmusicstuffdoingrealmansongsaidsongstalkcatwholedidnyourselfputtalking
💬 精彩语录
"Well, and people are always going to think differently too, just in our structure and the way we… Again, it goes back to that Jordan Peterson lecture about, I think in Maps of Meaning where he talks about people who think more conservatively or more liberally about things. It’s been applied to politics, but it’s based more in psychology than anything. Some people are going to think more inside the box and some people are going to think more outside the box, but we have to have both in order to have a healthy society."
嗯,人们总是会以不同的方式思考,只是在我们的结构和方式上……再说一次,这可以追溯到乔丹·彼得森的演讲,我想在《意义地图》中,他谈到了那些对事物思考更保守或更自由的人。它已应用于政治,但它更多地基于心理学。有些人会更多地在框内思考,有些人会更多地在框外思考,但为了拥有一个健康的社会,我们必须两者兼得。
— Oliver Anthony (01:50:34)
"But it’s like think about how many different people came together just at the founding of this country. People who spoke different languages, different cultures, religions, ways of thinking. So many different people came together to even create this place now, and we’ve just forgotten about all that. They didn’t all come here because they wanted to ride on some miserable boat ride and risk their whole lives to live in some crazy jungle essentially that had no structure, no infrastructure, no medicine. They didn’t come here for some glorified camping trip. It’s because they were tired of generations of being persecuted and living under tyranny and not being allowed to practice their …"
但这就像想想在这个国家刚成立时有多少不同的人聚集在一起。人们说着不同的语言、不同的文化、宗教、思维方式。现在有这么多不同的人聚集在一起创造了这个地方,而我们却忘记了这一切。他们来到这里并不是因为他们想乘坐一些悲惨的船,冒着一生的危险生活在一个疯狂的丛林里,那里基本上没有任何结构,没有基础设施,没有药物。他们来这里并不是为了一些光荣的露营旅行。这是因为他们厌倦了几代人遭受迫害和生活在暴政下,并且不被允许实践他们的……
— Oliver Anthony (00:50:52)
"It’s not like they wanted freedom of religion and they didn’t want separation of church and state because they were a bunch of goody two-shoes and they love going to church every Sunday. It’s because they weren’t allowed to believe in what they believed in because some asshole king or some hierarchy told them they couldn’t, and they were just tired of it. That’s what we’re losing now, is we’ve forgotten that we’re those people. The same structures that have plagued this country are … they’re multinational corporations and it’s just the ideology behind them, and their structure is what the problem is."
这并不是说他们想要宗教自由,也不想政教分离,因为他们是一群两双鞋,喜欢每个星期天去教堂。这是因为他们不被允许相信他们所相信的东西,因为一些混蛋国王或一些等级制度告诉他们不能,他们只是厌倦了它。这就是我们现在失去的,我们忘记了我们就是那些人。困扰这个国家的相同结构是……它们是跨国公司,这只是它们背后的意识形态,而它们的结构才是问题所在。
— Oliver Anthony (00:51:27)
"People talk about money not making you happy, and it’s easy when you’re… It’s easy when you’re broke to think, man, if I had some money… And of course financial freedom is what you’re really looking for, not an abundance of wealth. But the things that we talk about that make life worth living aren’t things that you can buy, they are things that you obtain through relationships and love and life. And so, it is just an infinitely complex and crazy thing to think about, but that human component of us is what is what’s so important to our long-term existence, our ability to have connection with each other, and the joy we find in that, the purpose we find in that is, it’s not anything that’s replaceable with anything."
人们谈论金钱不会让你快乐,当你……当你身无分文时,很容易想到,伙计,如果我有一些钱……当然,财务自由才是你真正寻求的,而不是大量的财富。但我们所说的让生活变得有价值的东西并不是你可以买到的东西,而是你通过人际关系、爱和生活获得的东西。因此,这是一件极其复杂和疯狂的事情,但我们的人类成分对于我们的长期存在、我们相互联系的能力以及我们从中找到的快乐、我们从中找到的目的来说是如此重要,它是任何东西都无法替代的。
— Oliver Anthony (01:21:34)
"Yeah, because they don’t believe there’s a lack of leadership, and if they don’t believe in that leadership, then why the hell would they be motivated? I remember a while back watching Jocko Willink talk about that when he was in leadership when he was leading his guys. I think he mentions it in his book is probably where I remember seeing it, one of his books."
是的,因为他们不相信缺乏领导力,如果他们不相信这种领导力,那么他们为什么会有动力呢?我记得不久前,当乔科·威林克(Jocko Willink)领导他的团队时,他曾谈论过这一点。我想他在他的书中提到过这一点,这可能是我记得在他的一本书中看到的。
— Oliver Anthony (00:12:42)
🎙️ 完整对话(510 条)
Lex Fridman (00:00:00)
The following is a conversation with Oliver Anthony, a singer-songwriter from Virginia who first gained worldwide fame with his viral hit Rich Men North of Richmond. He became a voice for many who are voiceless with his songs speaking to the struggle of the working class in modern American life.
以下是与来自弗吉尼亚州的创作歌手奥利弗·安东尼 (Oliver Anthony) 的对话,他凭借热门歌曲《里士满北部的富人》(Rich Men North of Richmond) 首次享誉全球。他用他的歌曲讲述了现代美国生活中工人阶级的斗争,为许多无声的人发声。
Lex Fridman (00:00:22)
His legal name is Christopher Anthony Lunsford. Oliver Anthony was his grandfather’s name. And so, Chris used this name as a dedication to his grandfather, and to 1930s Appalachia where his grandfather was born and raised.
他的法定姓名是克里斯托弗·安东尼·伦斯福德。奥利弗·安东尼是他祖父的名字。因此,Chris 用这个名字来纪念他的祖父,以及他祖父出生和长大的 20 世纪 30 年代阿巴拉契亚地区。
Lex Fridman (00:00:36)
“Dirt floors, seven kids, hard times,” as Chris says. He’s happy to be called either one, by the way. I’ve gotten to know Chris more since the recording of this conversation. He truly is as he appears online, and in his songs, down to Earth, humble, and a good man who deeply feels the pain of the downtrodden.
“肮脏的地板,七个孩子,艰难的时光,”克里斯说。顺便说一句,他很高兴被称为其中任何一个。自从录制这次谈话以来,我对克里斯有了更多的了解。正如他在网上和歌曲中所表现的那样,他确实是一个脚踏实地、谦虚、深切感受到受压迫者痛苦的好人。
Lex Fridman (00:00:59)
This is a Lex Fridman podcast. To support it, please check out our sponsors in the description, and now, dear friends, here’s Christopher Lunsford, or as many of you know him as, Oliver Anthony. Open mics
这是莱克斯·弗里德曼的播客。为了支持它,请在说明中查看我们的赞助商,现在,亲爱的朋友们,这是克里斯托弗·伦斯福德(Christopher Lunsford),或者你们中很多人都知道他,奥利弗·安东尼(Oliver Anthony)。打开麦克风
Lex Fridman (00:01:14)
So, I was texting you last night sitting at an open mic listening to a guy perform Great Balls of Fire. Like I told you, he was giving everything he got for, like, five people in the audience plus me.
所以,我昨晚给你发短信,坐在开放式麦克风前听一个人表演《火球》。就像我告诉过你的,他为观众中的五个人加上我付出了一切。
Oliver Anthony (00:01:26)
Well, you were there. I’d have been doing it too, if you were out there. Like, “Oh, that’s Lex Fridman.”
嗯,你当时就在那里。如果你在的话,我也会这样做。就像,“哦,那是莱克斯·弗里德曼。”
Lex Fridman (00:01:31)
No, man. He was this big dude on a keyboard, just everything, sweaty, long hair, you could tell he was there in his own little world. I love the courage of that, of just giving it everything. I don’t think he wants to be famous, I don’t think he wants anything in life except to be there, and to play his heart out. That’s why I love open mics.
不,伙计。他是键盘上的大个子,什么都有,满头大汗,长发,你可以看出他沉浸在自己的小世界里。我喜欢这种勇气,喜欢付出一切。我不认为他想出名,我不认为他想要生活中的任何东西,除了在那里,并尽情发挥。这就是为什么我喜欢开放式麦克风。
Lex Fridman (00:01:51)
Like, some people still aspire to be famous when they play open mics, but some people, maybe they’ve given up, or maybe they never wanted to be famous, they’re just there for the pure artistry of it.
就像,有些人在演奏开放式麦克风时仍然渴望出名,但有些人,也许他们已经放弃了,或者也许他们从来不想出名,他们只是为了纯粹的艺术性而存在。
Lex Fridman (00:02:02)
Yeah.
是的。
Lex Fridman (00:02:03)
And you said you started out playing open mics at shitty bars. What was that like?
你还说你一开始是在破烂的酒吧里用开放式麦克风演奏的。那是什么样子的?
Oliver Anthony (00:02:07)
Well, yeah. Real quick before I forget to, a great example of a guy who had that same mindset and was able to maintain it really well was this mandolin player named Johnny Staats in West Virginia.
嗯,是的。很快我就忘记了,西弗吉尼亚州一位名叫约翰尼·斯塔茨的曼陀林演奏家就是一个很好的例子,他拥有同样的心态并且能够很好地保持这种心态。
Oliver Anthony (00:02:18)
To me, he’s one of the best, and he’s won all these awards, and stuff, and he still works for UPS full-time. And he could go out and tour, play mandolin for anybody he wanted to, but, man, when you meet Johnny, you can tell he’s just got this joy in him that I don’t think he would have if he …
对我来说,他是最优秀的人之一,他赢得了所有这些奖项等等,而且他仍然全职为 UPS 工作。他可以出去巡演,为任何他想要的人演奏曼陀林,但是,伙计,当你见到约翰尼时,你可以看出他内心充满了这种快乐,我认为如果他……他就不会拥有这种快乐。
Lex Fridman (00:02:38)
But as far as me with the open mics, yeah, it was just … A lot of them were embarrassing. There was a couple … I remember there was times where I’d go up and try to do … I’d do one song, I’d get halfway through the next song, and I’d be so nervous by that point, I couldn’t remember any of the words, and there’s a couple times I …
但就我而言,使用开放式麦克风,是的,这只是......其中很多人都很尴尬。有几首……我记得有时我会上去尝试做……我会唱一首歌,下一首歌唱到一半,那时我会很紧张,我记不起任何歌词,有几次我……
Oliver Anthony (00:02:57)
I remember there was one time in particular that I just walked off halfway through the song, and put my guitar in the case, and just left. I couldn’t even stay in there, just total freakout.
我记得特别有一次,我唱到一半就走开了,把吉他放进琴盒里,然后就离开了。我什至不能呆在那里,完全吓坏了。
Lex Fridman (00:03:09)
Just embarrassment?
只是尴尬吗?
Lex Fridman (00:03:11)
And I never drank in bars either. Like, I wasn’t really a social drinker. So, I was just there to try to do the mic. So, I was a little out of place anyway. I feel out of place in a bar to start with.
我也从不在酒吧喝酒。就像,我并不是一个真正的社交饮酒者。所以,我只是在那里尝试做麦克风。所以,无论如何,我都有点格格不入。我一开始就觉得在酒吧里格格不入。
Lex Fridman (00:03:22)
Yeah. This is back when you could smoke in bars. There’s a whole vibe to it-
是的。这又回到了你可以在酒吧吸烟的时代。有一种整体的氛围——
Oliver Anthony (00:03:25)
Yeah.
是的。
Lex Fridman (00:03:25)
… people smoking and drinking. And, yeah. Definitely bombing in a place like that when the audience is … There’s, like, five people, and they’re bored.
……人们抽烟喝酒。而且,是的。当观众……大概有五个人,而且他们很无聊时,肯定会在这样的地方进行轰炸。
Oliver Anthony (00:03:36)
Yeah. There was one like that. It was in Matoaka. It wasn’t that far from where I lived. The place is gone now, but it was about as big as the room we’re in here, if that. Like, the ceiling tiles were yellow from where everybody had smoked in it since the beginning of time. But, yeah. That was my little spot, those little type of spots.
是的。有一个这样的。那是在马托卡。离我住的地方并不远。这个地方现在已经消失了,但它大约和我们这里的房间一样大,如果那样的话。就像,天花板瓷砖是黄色的,因为从一开始每个人都在里面抽烟。但是,是的。那是我的小地方,那些小地方。
Lex Fridman (00:03:53)
You did covers. What’d you play? What was your go-to?
Oliver Anthony (00:03:56)
Back then it was, like, I don’t know, Fishing in the Dark, Nitty- Gritty Band, or any of those old Hank Jr. Songs, any of those bar type of … Like, David Allan Coe, You Never Call Me By My Name, any of that kind of stuff.
Lex Fridman (00:04:10)
And I haven’t even played any of those in forever now, but that was … Any of those ones where you get people singing along, and stuff, that’s what I’d always try to do.
Lex Fridman (00:04:18)
Yeah. That song you performed Take Me Home Country Roads, how does that go? “West Virginia”-
Lex Fridman (00:04:23)
Yeah.
Lex Fridman (00:04:24)
That’s a good song.
Oliver Anthony (00:04:24)
John Denver was just one of those guys that who knows where he would have went, long-term, if he wouldn’t have passed, but-
Lex Fridman (00:04:32)
You know what’s a fun song that I love, I shouldn’t, but I love is … What is it? Thank God I’m A Country Boy.
Oliver Anthony (00:04:41)
I think that’s what I liked about John Denver was he was a little bit … He let himself be a little bit corny in the spirit of having fun with it. Like, a great example, there’s this older guy that not a lot of people have heard of him named Roy Clark, but my farm’s a mile down the road from Roy Clark’s old farm, but he used to be on Hee Haw. I don’t know if you’ve ever heard of that old show from the ’60s, or whatever, but a crazy dude. He could pick any instrument up. Like, there’s videos on YouTube of him, but he would just sit there and just pick anything up, and just rip it to death.
Lex Fridman (00:05:11)
But he would always just be real silly about it. He never took himself too seriously. Mainstream country music
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